"Primitive art marked my taste, above all
in it I found, and never lost, the profoundly symbolic, yet everyday sense of
popular jewellery, while the Orient transmitted to me the need to work above
all with essential and clean forms. The starting point was a sheet of metal, or
preferably wax, with which to mould in the family workshop, where I began to
confront my father's art, feeling the need to invent, experiment and create as
primary. Irregular pieces in design, deliberately imprecise, never the same,
each with a story, which will be shared and personalised by the wearer.
Plasticity that draws on nature, a hymn to movement, creating a creative
melting pot between experimentation and everyday wearability'".
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